Since the Michigan Womyn’s Music Festival just passed and many people have been writing online about that many-years-running debacle/struggle, I thought I’d link to an oldie-but-goodie, Emi Koyama’s “Whose Feminism Is It, Anyway? The Unspoken Racism of the Trans Inclusion Debate,” which substantially expanded my understanding of the situation when I read it in 2002. At the time, I was working with a couple dozen people to organize Ladyfest Los Angeles, and we engaged in several charged and really thoughtful big-group conversations about whether or not we’d invite artists who’d performed at MWMF regardless of its transphobic policy to perform at Ladyfest LA. Koyama’s article, along with the passionate, justice-minded arguments of many of my co-organizers, helped me a lot in understanding the MWMF conversation in the broader context of movements for trans and gender justice, a history of racist/privilege-based feminisms, and so much more.
(Ladyfest LA never did make a group decision on whether or not we’d invite MWMF performers to our festival, for lack of a collective decision-making structure — which is a whole other post I may write if I have time… We did have a proactive trans-inclusion* policy, and many of us organizers wore armbands throughout the festival in protest of other festivals’ transphobic policies.
*Six years later, I cringe a little at the paternalistic and cisgendered-“woman”-centric notion of “trans inclusion,” but, alas, that’s what we called it … )