In defense of the sanctimonious women's studies set || First feminist blog on the internet

The march backwards

Guest Blogger: Thilde Knudsen, Head of Marie Stopes International’s Europe Office

Women’s sexual and reproductive rights at risk: Spain is about to criminalise abortion; politicians in the UK repeatedly attempt to reduce the 24-week limit and today (Apr 10) in Brussels, a Parliamentary hearing is discussing a European Citizens’ initiative that if successful would block European Commission (EC) development funding for maternal health.

Is the separation of eroticism and feminism a problem?

Guest Post by Sabia McCoy Torres

Some of the backlash, commentary, and critiques Beyoncé has received for using Nigerian novelist Chimamanda Ngozi Adichi’s words from “Why We Should All Be Feminists” in her song “Flawless” has inspired me to react. Not in support of Beyoncé, but instead against a notion that I do not support implied in these critiques: that somehow her “hyper” sexuality is a contradiction to her being a feminist.

“Strength” of Character: How the Silver Screen Perpetuates Gender Stereotypes

What do we mean when we define a female character as “strong”? When an actress is the protagonist, her conflict is decidedly different than the average male protagonist’s: In literary terms, we often see the female protagonist engaged in a “man vs. self” struggle, while male protagonists wrestle with outside forces. The point is not at all that any one iteration of female “strength” is more admirable – more worthy of depiction on-screen – than another, but rather than our female characters consistently demonstrate one kind of strength while our male characters demonstrate another. Furthermore, when our female characters demonstrate stereotypically “male” strength, they do not win the awards.

These complications of storytelling are all exacerbated by Hollywood demographics :

The return of regular guest posts

You may have noticed we’ve fallen down on the job of publishing guest posts over the last few months. It seems each of the editors was hoping that the others would pick up the slack, and it just didn’t happen. Apologies to all who have sent a submission to us and not heard back.

High Stakes: Choice

When I was in my teens abortion was illegal and sex and resulting unwanted pregnancies were a big gamble. I’ve seen abortions and all forms of contraception become legal and available in much of this country. Now I’m seeing that in too many parts of the US and the larger world, the risks are increasingly greater and the deck is being stacked against women. I have known too many women whose choices were constrained by bad odds. What we need to do is stack the deck in favor of all women.

Sex + Cookies 2.0 | Episode #5: Tampons vs. Virgins

“How come I can stick a tampon in myself, and still be considered a virgin? I understand a non-virgin is someone who’s had a penis penetrating a vagina before. But if penetration is that important, how is being penetrated by a tampon any different? It’s like sexuality only counts when it’s involving penises or something.”

Beyoncé’s Break from the Shell of Respectability

As one blogger asked, where were you when Beyoncé’s self-titled album was dropped on December 13, 2013? The world was shell-shocked when the Beytomic bomb exploded on the musical landscape. After this initial shock and awe, fans of her music have been able to digest her masterpiece in all its glory. We can surely talk for days about her more explicit sensuality. Or her refined ratchetness. Or how this coincides with her shift in musical expression. I’d like to explore the latter of these two. And what it means for her as black woman who grew up middle class in the south. They are these intersections of race and class—not to mention gender, which has already been talked about a good bit in feminist spaces—that make Beyoncé so fascinating and, as one of my homegirls and Melissa Harris Perry (my homegirl in my head) put it, will doubtless be the album that launches a thousand woman’s studies papers.