My grandparent (my granddad) and great-grandparents came to America in the 1910s and 1920s. They all came from parts of Russia and the Ukraine, as far as I know. They left because there were better opportunities in America; they left because things weren’t great for the Jews. They probably had some choice in the matter, but staying wasn’t great. They came here, and they made lives for themselves, and they made lives that were pretty good. Pretty much everyone in my family has been given all the advantages of a middle class upbringing, even if they haven’t always maintained the cash capital side of the equation.
Ever since Renee’s post about the slave door, I have been thinking about the difference between consensual and nonconsensual immigration. I have been thinking about what it means that my relatives had at least some choice in the matter when they came here; many people’s didn’t. I am thinking about what it means that even within the immigrant narrative, my family is not all “poor extrovert with ambition and no resources comes to America and makes good.” My people, generally speaking, had some money, and they had some class privilege. My grandfathers both went to some higher education — my dad’s dad to the Rolla School of Mines (he took over his father’s scrapyard) and my mom’s dad to college, to get a degree in chemistry. One of my great-grandmas was a dentist, even as a Jewish woman, which speaks to her fortitude but also her access to privilege and resources. My grandparents all grew up speaking English as well as Yiddish and probably Russian as well; none of them have accents to speak of.
I am no immigrant theorist, though; I’m not nearly well-read enough and I don’t have much personal experience. But I am an internet mapmaker, and an artist with a deep nerd for technology, and so I want us to make another map together. The first one was amazing. This one is a little more challenging material.
Here’s your task:
- Go to the Google Map below.
- Put on three points, with approximate dates of arrival if you have them:
- Where you call home.
- Where your parents call(ed) home.
- Where your “people” are originally from.
- Connect them with lines:
- Green if the move was consensual (ie, “I want to live here! Here I come, even if it’s hard or not fully my own choice for personal reasons!”);
- Yellow if the move was not forced, but not fully consensual (ie, “I probably would not have made this move aside from very urgent personal or political need, but I did have SOME choice”);
- Red if the move was nonconsensual (ie, “This move was made because I was either forced to leave or staying was completely and definitively unviable.”)
- Tell the story on the point about you — the most current point. (This is for clutter’s sake.)
View Feministe: Migratory Consent in a larger map
So, for example: I call New York home. A green line connects me to Seattle, where my parents call home. A yellow line connects them to Russia; my people came to America more or less freely, but under the pressure of Jewish persecution.
I am not strict about rules here, folks; the map should meet your needs, not force you into a box that you don’t fit into. I know that a lot of us come from more than one place — my friend who is half-Argentinian, half-German; my other friend whose parents call two different places home; my friend who is from so many places that I imagine this map will stress her out even thinking about it. It is okay to make paths that diverge and come together, or put more than three points down, if that is what you need to make your map make sense. My story is pretty simple, all things considered, and I want us to make a map that shows and celebrates all of our complications, rather than one that tries to shoehorn us in. Where your parents call home may not be where they live. Where you call home may not be where you live. You may not know where your people are from. This is a structure; do what you need to do to make it work.
I am also not going to argue about the color of line you use, and I ask that nobody else does either. There are different degrees of consent and nonconsent, and I can anticipate that some people’s “red” is going to be much more personal and less political than other people’s. For the purposes of this, THAT IS OKAY. Or rather, I should say, that’s okay by me and I leave it to everyone else to decide if it is okay by them.
My ultimate goal with this is to animate it and turn it into some sort of moving story show. I am not yet sure how that is going to happen — Miss Sugardish, my head advisor, clued me into some interesting GIS/map animation software that might make this much faster than the stop-motion frame-painting I was anticipating. I do not think this will be done before I am done guest blogging, and I will post the project, but please only put stories here that you are comfortable having shared elsewhere in some form. I will give credit where credit is due, of course, and if by some bizarro possibility any money ever came to me (the odds of which are ridiculously low, but I know there is concern about who benefits from projects like this) I would donate it, although I am not sure to where. (Critical Resistance? People’s Justice? Audre Lorde Project’s Safe Outside the System Collective? Other ideas?)
A final note: I am travelling over the next few days, visiting my grandma. Moderation and tech support will be slower. I’ve asked some of the other Feministe folks to keep an eye on the queue, and if you are having technical trouble or want to request an anonymous login please EMAIL ME at interestingtwice AT gmail d0t communism so that I can get back to you quickly.