I am a slave to my Netflix queue. At some point, and I’m not exactly sure what happened, a series of rules developed that I seem to be completely unable to break. The most inflexible rule is that when a movie is added to the queue, it cannot be moved. New releases are allowed to go up to the top, but everything else has to start at the bottom and work its way up to the first position.
Two examples: I rented Letters from Iwo Jima, which I thought was great, but forgot to add Flags of Our Fathers, its companion piece. Instead of putting Flags up at the top, so it could be timely, it’s down around #150 between a documentary about the Amish and the Grey Gardens series. And a year ago, I had the urge to watch the original Manhunter, the one with Brian Cox as Hannibal Lecter. It’s finally moved up to #54. Can’t juggle the Netflix queue. Can’t be done. I can’t prove this, because I won’t shuffle movies around to find out one way or another, but I think the Angel of Death will float down from blackened parted skies to smite the firstborn if I go in and put Raging Bull ahead of the second Bridget Jones movie. I’m sure everything will be fine, but what if it isn’t?
I just don’t want the responsibility, is all.
An unfortunate side effect of this is that when I reserve lesser-known indie films, by the time they arrive in my mailbox, I have no memory of renting them, why I decided to rent them, or even have the faintest idea of what they’re about. Sometimes it’s a nice surprise, like when I received Half Nelson, and sometimes not so good, like when I discovered I’d selected Man of the Year*
Last week I was sent The Bridge, and after the kids went to bed I put it in. I didn’t read the synopsis on the DVD jacket to see what it was about, or anything (this is not one of the rules, however. Although it could be. That’s exactly the kind of thing I would do to myself.) It turned out to be a documentary of the Golden Gate bridge in San Francisco, with lots of opening footage of fog and the views of it from around the city and shots from the ground of tiny people beetling back and forth across the walkway over the bridge. After a few minutes of this, with a narrative dryly going on about it being a tourist attraction and such, one of the tiny people, a middle aged man in a kelly green shirt, sat on the ledge, crossed himself, and slid off the rail into the water below.
I picked up the DVD jacket.
The Bridge is a documentary based on the factoid that the Golden Gate Bridge is the number one place for suicide and suicide attempts in the United States.
Filmmaker Eric Steel, inspired by an article he read in the New York Times magazine about suicides off the bridge, so for a full year he had cameras mounted on all four sides of the bridge and they filmed nonstop, replacing the film in the camera every hour. Of the 24 suicides in 2005, Steel filmed 23. 19 appear in the final cut.
In a few of the cases, when the deceased were recovered and identified, he interviewed the surviving family members. He didn’t tell either the families or the bridge officials exactly what he was doing. The officials thought he was shooting a “day in the life” project about the bridge, and while the families obviously knew they were talking about their loved ones’ suicide, they didn’t know he’d filmed their deaths and planned to show it.
The boundaries in this film, they were crossed.
His intention, which he made very clear, was to tackle the issue of suicide and the impact that it has on friends and family. He did not intend for the film to be Faces of Death 6, and it isn’t. On the contrary, in the special features section of the DVD, his camera crew is interviewed, and every one of them lunges for the opportunity to let it be known that they reported any suspicious behavior they saw to the Bridge Authorities, and stressed that they would never have just quietly filmed someone they strongly felt was going to jump. At least six people were pulled back from the bridge by authorities after receiving a tip from the crew. I have no idea whether the crew felt guilty and defensive about their part in it, but some of them sure acted like it.
One of the issues raised by the film, despite the morally dubious ground it treads, is the lack of a suicide barrier on the bridge. Until recently, Bridge authorities have cited lack of funds and aesthetics for the reasons why they have not erected a barrier. According to Bridge spokesperson Mary Currie, they have people patrolling the walkway, looking for potential jumpers. With an average of 24 suicides a year – 1 every other week – it seems woefully inadequate.
The Bridge is nothing if not compelling. Steel interviewed one of the few known survivors of a suicide attempt off the bridge. Kevin Hines, a 25-year-old with severe bipolar disorder, leaped off the bridge in September of 2000. The fall broke his back, but he lived and made a full recovery. Hines, now a counselor for suicide prevention, is a big supporter of the film, seeing it as an opportunity to address his crushing depression and his current, carefully regulated behavior that helps keep him more stable. A photographer, who was on top of the bridge shooting photos of the boats below, reached over and yanked a young woman from the rail as she was about to jump. The scene is caught by Steel’s cameras as he pulls her to safety, and sits on her chest to wait for assistance from the Bridge Patrol as she struggles and tries to bite him. In the interview, the photographer still seems dazed by what had happened.
And the scenes of suicide themselves, particularly when contrasted by the reminiscing of their families, do drive home the tragedy of it all, as well as the point that something extra needs to be done to help people in similar situations, and quickly.
Unfortunately, according to Bridge authorities, there was also a spike in the number of leaps once word about the film began to get out. Celia Kupersmith, CEO and general manager of the Golden Gate Bridge Highway and Transportation District said, “I don’t think it’s just his movie,” Any sort of press coverage of this phenomenon here causes people to get ideas.”
Although I remain deeply conflicted about the movie – watching 19 suicides in 90 minutes is hands down horrific, it did raise some serious discussion about depression, effective methods of suicide prevention, and what, if any responsibility do the Golden Gate Bridge officials have to make the bridge safer.
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*Why? Why would I have done this? The mind reels. I actually accused my husband of sabotaging the Queue, although he would never do this and doesn’t even know the password. Here’s my review of the movie, real quick: It’s exactly what you’d expect it to be. Exactly, and I don’t care who you are.
P.S. – This is my last guest post. Many thanks again to Jill and piny for not saying a word while I posted about gonorrhea, boobs, suicide, John Waters teaching sex ed to today’s youth, pooping clowns, junkies painting pictures with their own blood, and pot. Happy trails, kids!